Alternative Rage Mage for D&D 3.5
Looking for feedback.
Requirements:
BAB: +4
Skills: Spellcraft 8 ranks
Feats: Power Attack
Spells: Able to cast 2nd level arcane spells.
Special: Rage ability.
Hit Die: d8
Skill Points: 2+Int
Class Skills: Climb, Concentration, Jump, Listen, Spellcraft, Survival
BAB: 3/4 (as Cleric)
Save: Good Fortitude, poor Reflex and Will
Class Features:
Weapon and Armor Proficiency: Rage mages gain no additional proficiency with armor or weapons.
Spells per Day: At even-numbered levels, rage mages gain new spells per day and an increase in caster level as if gaining a level in a previous casting class, though no other class benefits are obtained. A rage mage does not suffer arcane spell failure while wearing light armor.
Spellrager (Su): Whenever a rage mage enters a rage, she can still cast spells from the Conjuration, Evocation, Necromancy, and Transmutation schools as normal for her class. While in a rage, she adds her full rage mage class level to her caster level for any arcane class she had before entering rage mage.
Wrath (Su): While raging, a rage mage replaces her primary casting statistic with the number of rounds of rage remaining to calculate the save DC of her spells.
Rage (Ex): At 2nd, 6th, and 10th level, a rage mage gains an extra daily use of rage.
Fury (Su): Beginning at 2nd level, a rage mage can apply any metamagic feat she knows to her spells without increasing spell level or casting time. Instead, she reduces her rage duration by one round for every spell level adjustment that would be applied. The metamagic level adjustment cannot exceed half her rage mage level.
Spellpower (Su): Beginning at 3rd level, a rage mage may apply her power attack feat to any spell that requires an attack roll while raging. This increases damage as if the spell were a 1-handed weapon. Additionally, the spell ignores energy resistance up to the amount of penalty taken.
Ire (Su): At 5th level, a rage mage may hold the charge of a touch spell in a melee weapon she weilds, or she may deliver the spell with a normal melee weapon attack (against their full armor) as part of the same standard action used to cast the spell.
Spellsunder (Su): Starting at 7th level, a rage mage may add her strength modifier to caster level checks to overcome spell resistance.
Spellfeed (Sp): At 10th level, a rage mage may sacrifice a spell slot as a swift action to add the spell level to her rage duration. Rage duration obtained this way cannot be used to power Fury.
Confluence
THE CONFLUENCE OF TIME AND CHANCE
LED US TO A CANDLELIT TABLE
CLOTH FLOWER AFLOAT IN CRYSTAL
ENTREES THE LANDSCAPE OF OUR DESIRES
THE ROAST DUCK YOU CALLED DELICIOUS
BUT I REALIZED LATER THAT IT WASN’T
IT WASN’T THE DUCK WE WERE TASTING
INSTEAD IT WAS A FIRING OF NEURONS
AGE-OLD REACTIONS TO COMPLEX CHEMISTRY
BRAIN CONVENIENTLY LYING TO BRAIN
WHISPERING IN OUR TASTE-EAR
THIS IS A GOOD THING TO EAT
AND THEN I COULDN’T SEE US TOGETHER AGAIN
YOU WHO SO CAVALIERLY LIED
IT WASN’T THE DUCK THAT WAS DELICIOUS
IT WAS CLEARLY YOUR BRAIN
Kindle Worlds – What Does It Mean?
Fanfiction writers from around the world write stories featuring characters and ideas from their favorite media in new context. This can be used to illuminate certain hidden textual clues from the original story, or for flights of fancy about how it could have been, or sometimes purely for titillation. A major demographic of fanfiction is 18-35 year old women, often seeking and writing content that is inherently adult. One particularly popular flavor has become “slash” fiction, in which characters of the same gender become romantically involved despite this not occurring in the original story. Stories are posted online, and people discuss, laud, and critique pieces, often borrowing ideas from each other and expounding on them further. Fan authors and readers can create deep personal bonds through this method – large online communities have developed around this model; one can already see why traditional publishers take some objection to this. Fanfiction, though, is not created for monetary gain, making copyright issues in the fanfiction communities a legal gray area. Publishers are usually content to leave these groups alone, as long as nobody is profitting off of infringed authorial rights.
Opinions about fanfiction vary among authors: George R.R. Martin is opposed to fanfiction in general (and especially without authorial consent); J.K. Rowling supports Harry Potter fanfiction, as long as “it remains a non-commercial activity to ensure fans are not exploited and it is not being published in the strict sense of traditional print publishing;” and the Tolkien estate is notoriously tight with the rights to his legacy.
Now comes Amazon into the picture. Kindle Worlds is a program soon to be actualized that will allow fanfiction writers within certain narrative “worlds” (the books that they piggy-back on) to publish and distribute their pieces electronically through Amazon. At the moment, only three worlds are represented – Pretty Little Liars, The Vampire Diaries, and Gossip Girl – but more are certainly on the way. This works because Alloy Entertainment, who owns the rights to these three franchises, is on board with the project, as are the original authors. The three worlds represented now are not the largest or most rabid fanbases, and it remains to be seen whether Amazon can obtain the rights to what would be some of the more lucrative properties.
What do the fan authors who sign up for this deal get? For works over 10,000 words, they get royalties equal to 35% of the net profit for every month, and 20% for works under 10,000. Note that this is net profits, on items that will cost between $0.99 and $3.99. It is unlikely that any but a lucky few will make a substantial amount of money on this, but will act more as a supplemental income for an activity that is already being done.
What do Amazon and Alloy and any other publishers that jump on board get from it? Both Amazon and Alloy get a cut from the sales. In addition, Amazon gets exclusive copyright and distribution rights to the stories. Author John Scalzi pointed out on his Whatever blog that this means they can assemble anthologies or distribute stories in different languages without paying the writers (found here). Alloy gets rights to mine the stories for any original characters and ideas that they want to take and add into their official franchise entries without recompense to the authors.
This is legal, a contract between consenting parties, so it removes some of the ambiguity from the normal legal state of fanfiction. With this legitimacy, however, comes a price: that of censorship. Fanfiction has a reputation for being, on occasion, pornographic. Amazon will not be allowing graphic sexual acts in the stories published through this method. They will also be monitoring for “offensive content.” Obviously, there will be some sort of screening process – whether it will be an actual person or a computer picking out keywords, or a combination of both is yet to be seen. Amazon also holds the right to deny publication based on what they define as a “poor customer experience,” which can take many forms. While this may be their way of maintaining quality control, it is also a broad net that could be thrown at many an unsuspecting author. Already a large portion of what attracts people to fanfiction is disqualified, but how will this censorship affect slash fiction, or other topics that can get steamy without being specifically pornographic?
One part of the process that has not been addressed, and is probably easy to overlook on both sides, is protection for the drafts that are barred from being published. Since they do go through a screening process, and are therefore read by an entity (electronic or biological), they have certainly entered Amazon’s servers. Are these drafts protected from the idea mining that will take place with the published writings? Can Amazon cite a poor customer experience, and then pass the document to Alloy because it had one good idea among some unacceptable ones? It is unlikely, but something that should be addressed before the program goes live nonetheless.
Is it fair? Do fanfiction authors have to stoop to what would be considered a terrible deal for standard publication just because of its seeming self-referentialism, or does the craft deserve more consideration, perhaps as a “found object” art more than intellectual property theft? While it is obviously an attempt at further corporate gain, is it also giving a valuable level of legitimacy to the craft that is worth the costs? In some cases it could be, especially considering that fanfiction authors have little in the way of intellectual rights. Perhaps the thrill that they liked your idea and put it into the series (making it canon) will be enough. This is to say nothing about the cultural etiquette found within the fanfiction communities; how will this development affect these communities? Will there be a sense of betrayal inherent in selling fanfiction that splits established communities in two (see 50 Shades of Gray and the fallout from its publication)?
It may end up being a non-issue; the type of censorship used in selection excludes much of what makes these communities unique. Pornographic material rules out an extensive amount of fanfiction and much of its draw. Slash fiction, another popular topic, may not make it past the “offensive content” or “poor experience” clauses because of its (however inaccurate) association with overtly sexual content.
Given all of this, Kindle Worlds may simply become another fanfiction community with its own idiosyncracies and etiquette. On the other hand, there is the possibility of a single author selling works on Amazon, and writing other pieces that would not be acceptable there and sharing these with other communities. Since fanfiction stories are intimately informed by each other, would this encourage Amazon to pursue legal action against other, often nebulous, fanfiction communities where traditional publishers have thusfar lacked the audacity to tread?
Cross-posted on www.thebookloft.com.
Two Limericks (One is about a mime)
A request for a poem about a mime in pain.
If only the crowd were receptive
the mime could have been more selective
His set piece bereft
and no options left
he summoned a pooch quite aggressive.
And a limerick about first contact.
First contact with aliens was grand
Our leader took theirs by the hand.
It mentioned a pain
at the base of its brain
and so we gave it ibuprofen but the levorotatory nature destroyed its nervous system and started a decade long war that desolated the Earth.
A Trilogy of Tree Haikus
How To Be a Tree
How to be a tree
Raise well your productive leaves
then sever food source
Tree Man
Now be a tree man
cover yourself in rough bark
and ambush people
Man Tree
Then be a man tree
who cannot enter his house
branches can’t turn knobs
A Poem of Dragons and Gnomes
weary wyverns wept
captor’s cookery they kept
musty mushroom mush“no more gnomish gnocchi
flush with funky fungus”
dangerous dragons demanded“grant us great gallons
and oodles of oozing
meat meat meat”rapidly arrived a raucous reply
“perforation of precious parts
come to curmudgeonly crocodiles
who haven’t inhaled ooms of mush”
A Poem of Unicorns
dream of unicorns
and rivers
and the great unicorn migration upriver
and the great unicorn spawning
where bears eat lotsa unicorns
and then all the unicorns die and feed the land
with their magical unicorn flesh
it’s not sad it’s part of the cycle
It’s National Poetry Month.
Third Doonesbury Tumblrification. This one is about how pervasive similes are, and how they remove our basic freedom of expression or something like that.
Doonesbury Tumblrification 1
Doonesbury comic, rewritten with quotes from a friend’s tumblr.
Soricidae's Blog 